And don’t see it solely in order to understand what the dissidents in Iran are fighting -- though that would be an entirely valid reason. See it also because it is a powerful theatrical and emotional experience. Washington Post reviewer Dan Zak wrote that he wept while watching the movie. The Wall Street Journal described "The Stoning of Soraya M." in these words: “This is classic tragedy in semi-modern dress that means to horrify, and does so more successfully than any film in recent memory.” Los Angeles Times film reviewer Kevin Thomas wrote that the film, achieves “the impact of a Greek tragedy through its masterful grasp of suspense and group psychology, and some superb acting.” And Claudia Puig of USAToday called the film “emotionally explosive,” a “shattering and powerful drama.”

On the other hand, Amnesty International loathed the film. Which is another good reason to see it. This organization is morally confused. It has become a leftist organization in the guise of a human rights organization. It calls the film “sensationalist” because “the audience response is likely to be disgust and revulsion at Iranians themselves, who are portrayed as primitive and blood-thirsty savages.” I wonder if there are 10 people who see this film who will then conclude that Iranians in general -- as opposed to many religious fundamentalists among them -- are “primitive and bloodthirsty savages.”

Furthermore, Amnesty International argues, Iranians and foreign human rights organizations are already fighting for women and against such atrocities as stoning. Therefore, the film is unnecessary. If you don’t follow that argument, you are not alone.

Finally, the most important reason to see the film could be this:

Many of us lament Hollywood’s lack of courage, its lack of moral seriousness, and its political correctness. Here, then, is a courageous, morally deep, and politically incorrect film that mainstream reviewers -- as cited above -- have lavished praise on. It should be the ideal film for serious Americans who properly complain about Hollywood’s offerings. But if a riveting drama with a courageous theme, Oscar-level acting, which is as relevant as today’s headlines, fails at the box office, Hollywood will have been vindicated.

It therefore seems clear to me that those who do not see this film have forfeited the right to complain about Hollywood.